Milla Jovovich: Resident Beauty

4 Mar

Milla-Jovovich

Milla has been around longer than most stars for two simple reasons: She was embryonic when she started out as a model and she’s actually become more beautiful (and a talented actress) as she’s aged. She also a musician, entrepreneur and mom! Because I’m not a fan of Resident Evil franchise, I mostly wait for Milla to show up in films like STONE (opposite heavyweights DeNiro and Ed Norton) and the indie DIRTY GIRL (as a hot mom opposite Bill Macy). Her work is always interesting and frequently amazing – she was the best thing in Stone, hands down.

Milla Jovovich

Of course, many remember Milla from The Fifth Element…fewer from Joan of Arc and both directed by her former flame/ex Luc Besson. But I think Milla still has a few tricks up her sleeve when it comes to the silver screen. Her natural talent and screen presence make her a formidable actress. And her animal magnetism reminds me of the heroines from the glamorous 30′s and 40′s when actresses had FACES. I’m hoping she eventually does do a period piece/historical film a la Camille. I could see her pulling of a courtesan just as easily as blowing away aliens and zombies. Maybe if Hollywood resurrects Pride & Prejudice and Zombies Milla will finally get her big Hollywood hit. Then again, I’d prefer she continues with the Resident Evil franchise just so she can do the smaller, more serious films where her beauty really shines through without all the explosions and special effects. Either way, here’s to Ms. Milla being around for a long, long time.

Jennifer Lawrence: Silver Linings Playgirl

22 Feb

Jennifer_Lawrence

Jennifer Lawrence is the complete package. She is the “It” Grrrl of the decade. Her face is luminous as is her acting. Her off-screen personality is irreverent and sexy. She’s 22 years old and she has Hollywood and the world by the tail with a hit, Oscar-worthy performance (Silver Linings Playbook) and a global franchise (Hunger Games) to keep her afloat for the next 5 years. It’s enough to give anyone a big head but Jennifer remains grounded with friends and family. For now, you say? True. But I have faith in Miss Lawrence. Simply because she’s simultaneously fearless and self-effacing at the same time.

18th Annual Critics' Choice Movie Awards held at Barker Hangar

I didn’t really understand how versatile Jennifer was until I saw ‘Silver Linings’.  She was that movie for me. And when you have Bradley Cooper and Robert DeNiro rounding out the cast, well, then she’s got what it takes times ten. To be so young, so talented and so sought-after is often a dangerous thing in tinseltown. They’d rather chew you up and spit you out as fast as they can make a buck off you rather than nuture an actress’s career for the long haul. So many actresses hit big and are seen everywhere one year – only to fade into oblivion long before their true potential is tapped. I’m hoping that Jennifer is smarter than this (I think she is) and surrounds herself with astute, centered management. Because it would be a shame to not have Jennifer be the new Meryl. Not that there is anything wrong with the old Meryl.

jennifer-lawrence

So here’s to Jennifer winning gold this Sunday at the Oscars and the beginning of a beautiful friendship with the silver screen. She’s off to a great start with both Silver Linings and Hunger Games, the latter of which would never have made an impact without her singular performance. Just goes to show that once in awhile a standout actress can make oodles of money and still have the acting chops to turn in stellar character-performances like she did in Winter’s Bone. That’s range, baby. And here’s to Jennifer enjoying many more Oscar seasons in the spotlight!

Rooney Mara: Dark Angel

8 Feb

kinopoisk.ru

There are a lot of actresses that like to say they are chameleons but Rooney Mara is the real dead. So much so that she is virtually indistinguishable in several of her earlier incarnations (aka movie roles). Of course, that was before the American remake of The Girl with The Dragon Tattoo. Dying her hair jet-black and her coif cut so severe that made her angular body seem like post-modern sculpture art – she has become Hollywood’s goth version of the It-Girl. But even a cursory search on Google will turn up images of the actress that result in a double-take. Like the one below here:

nightmare on elm street premiere 280410

No less beautiful, but virtually unrecognizable now that Rooney’s Lisbeth Salander character is imprinted on my brain. I was even stunned to find images of her laughing and smiling! Goes to show what evil typecasting can be to a young, incredibly-talented actress can succumb to if she’s not too careful. That’s why I’m hoping SIDE EFFECTS will be a huge hit for Rooney and we can see another side of this dark angel’s talent. Not that being typecast as one of the greatest female heroes in modern times would be such a bad thing.

Rooney-mara

I have a feeling whatever happens, Hollywood will continue its bad romance with Miss Mara for years to come. She’s obviously committed to her craft of full-immersion into her characters. And personally I can’t wait to see what she morphs into next.

Meryl Streep: Oscar’s Leading Lady

19 Jan

Meryl_Streep

What can be said about the mighty Meryl that hasn’t already been covered hundreds of times in her storied career? She’s simply the most acclaimed actress of her, or any, time in history. And she seems to be getting better with every passing year. Ah, here’s something — her roles get more limited as she (and we) get inevitably older in a youth-obsessed media universe. But first, I’d like to remind everyone just how beautiful Ms. Streep is with a few photographs of the screen goddess taken through the celluloid ages:

Meryl Streep4

This was Meryl in the first movie I ever saw her in: Sophie’s Choice. The film is dated now, but she isn’t. She’s so beautiful in this portrayal of a woman haunted by the Nazis in World War II. Worth another viewing if you haven’t seen it in awhile.

"The Seduction of Joe Tynan" New York City Premiere Party

This photo is circa Kramer Vs. Kramer. Meryl is an absolute knockout in the role and her beauty is so radiant it puts all future supermodels to shame. To be that talented and that beautiful was and is truly something to behold and celebrate. Oscar here we come…

meryl-streep-photo

Around the same era but in color. One of my favorite Meryl Streep movies is SILKWOOD. Meryl is so vulnerable in this role and absolutely riveting as a young, free-spirited woman who takes on a nuclear energy plant and pays the price. The b-story of her home life with Cher and Kurt Russell is equally compelling and easily their best work opposite arguably the best American actress ever. Just goes to show that Meryl on a movie will invariably up everyone else’s acting chops to a new level while they’re in her orbit.

Meryl-Streep-meryl-streep- meryl_streep_young

Two more of my favorites. Between the smoldering sensuality and those eyes piercing through to your soul…

meryl-streep-vanity-fair

But I have to say I love Meryl in black & white. There’s something so timeless about her beauty that she lends herself to the glamor shot in such an open, unassuming and understated way that all you see is beauty and brains unlike any other actress of her time. This is another one of my favorites of the multi-Oscar winning actress. And no matter how old she gets and how insipid the movie roles become – I’m just happy to see Meryl up on the screen where she belongs – in front of the camera that loves her along with the audience.

Capitol Spies: Agent Cynthia

12 Jan

CynthiaWantedPoster

This weekend Zero Dark Thirty is dominating the box-office. The film is controversial not only because it presents the CIA as using enhanced torture techniques to track down Osama Bin Laden, but because the main protagonist in the hunt for the infamous terrorist is a woman agent.  What may come as a surprise to some is that female agents who have played a pivotal role in history are nothing new to the CIA or the spy game usually dominated by men. The following story is about Agent Cynthia, who was recruited by the pre-CIA, or Office of Strategic Services, the first American Intelligence Agency  FDR created during World War II. Smart, sexy and in a position to save hundreds of thousands of lives through her espionage work, Amy Thorpe Pack was the most successful female spy of her time, arguably any time – yet her story has rarely if ever been told.

CynthiaPosterInsert

June 21, 1942: The exact same moment Humphrey Bogart and Ingrid Bergman were on Warner Bros. Burbank, California studio lot shooting Casablanca, a tiny band of spies entered sovereign Vichy-French territory on a secret mission to liberate the real Casablanca. Far from North Africa, the black ops team comprised of a former D.C. debutante-turned-spy, her Vichy-French lover, a safe-cracker and their OSS (pre-CIA) handler, broke the FBI’s strict law forbidding espionage within city limits and infiltrated the Vichy French Embassy in wartime Washington D.C.

Joint Chiefs of Staff: “Obtain the Vichy Naval Codes”

After Hitler invaded France in May, 1940, President Roosevelt shrewdly maintained diplomatic relations with Vichy, allowing France to retain an embassy in D.C.  This embassy received daily encrypted cables from Nazi Germany about Hitler’s plans for the French Fleet and his forces in North Africa. America and Britain already possessed the technology to intercept these communiqués, but without the embassy codebooks needed to decode them the communiqués were useless.

Breaking into a foreign embassy to steal codebooks constituted an act of war. J. Edgar Hoover’s bureau boys were ordered to protect all embassies and officers of a foreign power from espionage, even America’s own. Ironically, all Federal Agents were forbidden to enter Capitol Hill unless expressly invited. However, Foreign Agents (i.e. spies) could enter at will. So Roosevelt recruited his friend General William “Wild Bill” Donovan to form the Office of Strategic Services, precursor to the CIA. Donovan assembled a special team to infiltrate the target embassy.

Agent Cynthia

Amy Elizabeth “Betty” Thorpe (aka Agent Cynthia) was born to an affluent family.  Her father, George Cyrus Thorpe, a U.S. Marine Corps major and prominent maritime lawyer, moved the family from Minnesota to D.C. when Betty was six.  Her mother, Cora Wells Thorpe, daughter to H.H. Wells, a U.S Senator from Morris, Minnesota, became a prominent and influential Washington socialite. Once one of the capital’s most glamorous debutantes, young Betty is remembered by Shirlee C. Thorpe, her former sister-in-law and a D.C. resident, as “gorgeous” and “mischievous.”

In the cloak and dagger world of espionage, Agent Cynthia was recruited first by the British and then the American’s as a swallow – an agent who used sex as a tool to obtain the enemy’s military secrets.

Agent Cynthia moved her swallow’s nest to Wardman Park, the posh residential hotel located at 2660 Woodley Rd NW.  The Wardman, large and with multiple entrances,  would frustrate the FBI’s surveillance efforts of the OSS Agent. The hotel was also the home of Cynthia’s target – the Vichy Press Attache, Charles Brousse.

Posing as a sympathetic American journalist, Cynthia made quick work of the older married man: “He planted a long, passionate kiss on my lips and pressed my back against the door until I was limp.  Then he swung me easily off the floor and started to carry me up the stairs.  He looked at me hungrily.  “Just point out your bedroom,” he said.  “You have nothing to fear, chérie.”  As a lover, Charles Brousse was the most ardent of all those I met in my career as a spy…”

Charles, having fallen madly in love, provided Cynthia with daily copies of decrypted embassy cables, which were sent immediately to the White House. President Roosevelt, fluent in French, often didn’t wait for the cables to be translated before reading them.  Cynthia and Charles even collaborated on reports, which the president read “as a bedtime story” and called, “the most fascinating reading I have had for a long time…the best piece of comprehensive intelligence I have come across since the last war.”

When Cynthia asked Charles for the codes for decrypting themselves, her French lover balked – remarking that what she wanted was impossible. Undeterred, Agent Cynthia solicited the Chief Cipher Officer of the Embassy, Count Jean de La Grandville.  Young, ambitious and arrogant, the Count received Cynthia alone in his suite at the Shoreham Hotel while his wife was in the Virginia countryside giving birth to their second child.  Cynthia offered the Count money in return for the code books.  But De La Grandville had other ideas in mind and remarked on how a pretty woman should not concern herself with such things. Cynthia was not amused. She left him with her hotel phone number and the caveat that, if he was going to be serious, he could ring her the following night.

Cynthia was taken aback to find Count de La Grandville in the Wardman Park lobby upon her arrival home the next night.  Unsure what to do, Cynthia brought de La Grandville up to her suite.  Her control of the situation deteriorated when the Count informed her he had uncovered her true identity – that of Betty Thorpe Pack, estranged wife of a British diplomat.

Cynthia had kept her marriage a secret from everyone.  Her cover blown, the compromised secret agent then made the only major tactical mistake of her illustrious career. As she recounted in her memoirs: “He wanted to be “sure” of me.  I replied that I did not know what he meant, that I was a trustworthy American agent, and that I had made him a straightforward proposition.  He said that he appreciated all that but ‘love-making forms a bond’ and that he wanted this bond…so I closed my eyes and hoped that this, like so much else that I wanted to do, would be for (the Allies).”

Afterward, Cynthia surmised she was duped. De La Grandville had no intention of producing the codebooks.  What’s more, the duplicitous Frenchman planned to turn her in to the French Ambassador come first light.  The seductress had allowed herself to be sexually blackmailed by a novice.

As if matters couldn’t get worse, Charles Brousse rang her from his suite inside the hotel to say he would be over momentarily.  Agent Cynthia could not get de La Grandville out of the hotel fast enough, and the Vichy officials passed one another in the hallway outside her suite.  In an instant, Charles knew Cynthia had been unfaithful.  He exploded in a jealous rage and became physically abusive. “It was a very thorough thrashing, and from his point of view, one that I richly deserved.”

Badly bruised and bleeding, Cynthia fled the hotel and stumbled across the famous William Taft Bridge, more commonly known as Connecticut Ave. Bridge.  It was only by sheer luck that an FBI surveillance team was not in the area to witness the distraught agent enter her mother’s deserted apartment at 2139 Wyoming Ave. – three doors down from the Vichy Embassy itself. Cynthia fell into a fitful sleep: “I drifted off into a half-sleep and a dream of “penetrating” the French Embassy again through a window, obtaining the ciphers and dispatching them to my Chiefs with the improbable aid of a well-trained B.S.C. flock of carrier-pigeons!”

The next morning, an apologetic Charles arrived at Cynthia’s mother’s doorstep.  He was surprised to find the female spy more emboldened than ever.  She told Charles, “While I was dozing at Mother’s I had a dream and am going to work out something around it.  I am far from lost as far as the project is concerned, but it would be catastrophic if I were “burnt”.  Everything depends on you to get me out of the mess that I really feel I am going to be in.” 

Sure enough, at that very moment across town, Count de La Grandville arrived at the home of Gaston Henry-Haye, the Vichy Ambassador, to tell him about the beautiful agent and her botched spy mission.  What the young Count didn’t know, however, was that Charles possessed incriminating evidence on the Ambassador himself, thanks to surveillance the OSS provided Cynthia.  Charles used this information to paint the Count as the real security risk and told Henri-Haye of rumors de La Grandville had been spreading about the Vichy Ambassador’s own illicit affairs.

Charles played his hand well, so well that de La Grandville was removed from the code room. Cynthia’s cover and the mission were spared.  However, they were still no closer to acquiring the codes, and time was running short.  Hitler’s grip on North Africa and the remaining French Fleet was tightening. The Vichy codes were now needed more than ever.

A Dangerous Solution

Cynthia appealed to her OSS handler, Agent Hunter, that there was only one remaining alternative – a black bag job; espionage parlance for an illegal break-in.  But a black bag job of a foreign Embassy was fraught with risk and very real danger. If they were caught, it would constitute a state of war between Vichy-France and the US.   Besides the FBI, who suspected Cynthia of being a spy and surveilled her night and day, there was also the notorious Vichy Secret Police to consider. Operating within the US and Canada, their duty was to report on anyone of French descent aiding the Allied cause.  Should Charles be caught, torture and death would surely follow and even his relatives in France would not be spared.

But Cynthia needed his help if she was to have any chance of gaining entrance to the heavily-guarded code room.  Charles agreed to help, risking his own life. And to pull off the risky heist, they would need a professional safecracker who could gain access to the Embassy’s safe where the Nazi codebooks were kept.

Enter the Georgia Cracker

One of the greatest secrets still surrounding World War II was the number of criminals who were recruited into secret service directly out of jail, for the same skills that put them there. One such colorful con was a safecracker known only as the “Georgia Cracker.”  He was released from prison in return for work on dangerous missions.

The Georgia Cracker joined Cynthia, Charles and Hunter, and the black-bag plan was finalized. By early June the date was set for the break-in. But first each had to swear an oath that if caught none would implicate the OSS or its British equivalent, the BSC.  To be safe, both General Donovan and Intrepid (William Stephenson, head of the British Security Coordination operating in the US) left the country.

On the night of June 19, 1942, the same night British Prime Minister Winston Churchill’s flying boat put down on the Anacostia River to attend the Second Washington Conference at the White House – Agent Cynthia crossed Connecticut Ave. Bridge with Charles. The two continued up Connecticut Ave. and made the familiar right turn onto Wyoming Ave. The reconciled lovers walked up the steps of the Embassy like they had done for several nights prior and greeted Andre Chevalier, the night guard.  Cynthia tried not to show it, but she was wary of his dog – a large Alsatian that had been written up in a local newspaper for excessive barking at night.

The couple brought with them several bottles of champagne, on the pretense that tonight was the anniversary of their first meeting.  Cynthia playfully coaxed the guard into joining them for a toast. When he wasn’t looking, she introduced a generous dose of Nembutal (a sleeping agent) into his glass.   Twenty minutes later the guard was sound asleep, and Cynthia then dosed the dog as well.  Given the all clear, the Georgia Cracker entered through the front door, stepped over the sleeping dog, and headed down the hallway to pick the lock to the code room.  Within moments, the three of them stood in front of the safe containing the codebooks.  Cynthia checked her watch; it wasn’t yet midnight.

Cynthia and Charles sat down on the divan in the private hallway outside his office and smoked, waiting nervously for the Georgia Cracker.  Minutes turned into hours. The Mosler-brand safe was old, its four tumblers rusty.  By the time the Georgia Cracker cracked the combination and turned the handle to open the safe door, it was perilously close to dawn, too late to copy the ciphers and have them back before the Embassy staff began their workday.

Cynthia watched helplessly as the convict closed and relocked the safe, careful to remove his fingerprints with a cloth.  Within the hour, she and Charles were back in her nest. She telephoned her handler to give him the bad news. Charles showered and returned to the Embassy to begin his day.  Fortunately, aside from a brutal hangover, the guard and his dog were unharmed and none the wiser.

Running Out of Time

Agent Cynthia was given the go ahead to make another attempt the following night, but now there were two serious complications.  The first was that they couldn’t attempt to drug the guard again, for fear they would arouse his suspicion.  The second was that, incredibly, the Georgia Cracker was sent off on another mission and temporarily unavailable.   Cynthia would have to open the safe by herself, using the combination the Georgia Cracker had written down for her.   Another agent would be outside the code room window, ready to receive the codebooks and take them to be copied.

Night came slowly on June 21st. Charles and his spy mistress once again set out for the Embassy.  Once again, the guard was waiting for them and let them in.  Once again, the handsome couple smoked and made friendly conversation with him before retiring to the divan.  They waited for over half an hour for the guard to finish his rounds. As Cynthia began to pick the code room lock, a nervous Charles asked her what to say should the guard appear and inquire about her whereabouts. “Tell him I’ve gone to the toilet,” she said.

Cynthia picked the lock and entered the code room with remarkable ease.  She took out the piece of paper on which the Georgia Cracker had written the safe combination and set about turning the dial: 4 left 5; 3 right 20; 2 left 95; 1 right 2; stop.  She then tried the handle on the safe, but it wouldn’t budge. Cynthia began to sweat: “The damned thing won’t open.”  She tried the combination again and again, but the safe refused to open.  She joined an exasperated Charles back at the divan. They left the Embassy empty-handed, forced to abort the mission.

Nerves were wearing thin for everyone.  Cynthia was ordered by her handlers to travel to New York: “I arrived at my Chief’s flat at about eight o’clock and from there set out in a cab for the long ride downtown.  I had no idea where we were going nor was I much enlightened when we drew up at an intersection of Broadway and he said: “Hop into that black car standing by the curb, and come back to the flat before returning to Washington.” 

Cynthia did as she was told and was greatly relieved to find the Georgia Cracker waiting for her in the next car. “I have never, repeat never, been so glad to see anyone in my life, I told him.”

            The two set out for a remote stretch of Jones Beach and stopped the car. The Georgia Cracker ordered Cynthia into the back seat.  There, under the seat, was an exact replica of the Vichy safe.  Teacher and student spent the next several hours ‘cracking’ it.  Once the Georgia Cracker was satisfied Cynthia could open the safe, they returned to the city.  But once back, Cynthia was adamant that the Georgia Cracker accompany her on the next attempt on the Embassy.  True to form, Cynthia was impossible to resist. Both she and the Georgia Cracker returned to Washington.

One Final Attempt

A first-quarter moon hung over the Capitol the night of June 23rd as Cynthia and Charles made their last trek across the familiar bridge. “But as we turned the corner from the main avenue to the smaller one leading to the Chancery, I noticed two FBI cars parked at a discreet distance from our destination.  They were half-hidden in the shadows of the trees, and their lights were dimmed.”

Cynthia grabbed Charles by the arm and led him away from the streetlamps.  They made their way to the Embassy doors and scurried up the stairs, only to find the Embassy guard missing from his post.  Charles used his own key to enter the Embassy.  They waited anxiously on the divan, wondering whether the night guard might be an informant for the FBI.  Was this a trap?

To Charles’s astonishment, Cynthia made a sudden radical decision. “I left the divan and took off my dress, tossing it onto the floor in the middle of the hall.  Then I took off my slip and threw it in the same direction.  It was followed by my brassiere, my panties, along with my garter belt and stockings; I was now quite naked except for a string of pearls and my high-heeled shoes.” 

Her timing was perfect. Just then the door behind her opened and her body was bathed in the beam from the night guard’s flashlight.   Embarrassed, the guard muttered a quick apology and withdrew, leaving Charles and his Lady Godiva to resume their work.

Cynthia remained au naturel as she signaled to the Georgia Cracker to enter through the window of Charles’s office.  The second-story man got an eyeful as the naked agent led him to the code room where he quickly picked the lock.  She held his flashlight on the dial of the safe as he worked the combination.  Within moments the safe was open, the codebooks theirs for the taking.  Cynthia pressed them to her naked bosom and walked over to the window, where an OSS agent was waiting to spirit them away.

Cynthia turned back to the Georgia Cracker, and with sincere gratitude, embraced him.  She bid the lovable con man goodbye, then returned to Charles at the divan.  Cynthia dressed, and the two settled in for a long night of waiting.

Cynthia chain-smoked Capstan cigarettes, her favorite brand, as her imagination considered every contingency.  What if the guard became suspicious and forced them to leave?  Who would put the codebooks back in the safe?  They could knock the guard out and kidnap him.  But then the Embassy personnel would know the codes were compromised.  What of the G-men outside?  At any moment, they could storm in and take her away for interrogation.  After all, the Embassy was in their jurisdiction. They already suspected her of being a spy.

She tiptoed to the window and peeked out from behind the shade.  Sure enough, there they were, hidden in the shadows across the street. “I went back to the divan and sat down in an attempt to persuade myself that “sweating it out” wasn’t so bad really, and that surely the boys at the front were having a worse time than I. Anyhow, there was now only another half hour until I would take up my post at the door.”

            At five minutes to four, while the night guard was off making his last rounds, Cynthia was at the door and saw the OSS agent approach the Embassy.  She reached out and grabbed the books from him, then turned and cautiously ran for the code room.  She purposely did not wear lipstick, in order to kiss each codebook for luck before she returned it to the safe. Then she was careful to wipe away all trace of her presence as the Georgia Cracker had taught her.  Moments later, she and Charles walked hand in hand down the Embassy steps.  Even if the Bureau boys saw them now, they could prove nothing.

Back at her swallow’s nest later that morning, Cynthia heard a knock at her door.  She opened it to find Agent Hunter, smiling and smartly dressed in a U.S. Army summer uniform. Cynthia followed Hunter to the other end of the hotel.  He led her into a room full of military personnel, surrounded by photographic equipment and hundreds of papers covering the furniture. They were photostats of the Vichy codebooks.  This was where they had brought the books to be copied – down the hall from her very own nest. Cynthia looked at the crystal clear prints of the secret ciphers and smiled to herself.

            “Altogether, it was the proudest moment of my life.”

November 8, 1942, Washington, D.C.: Agent Cynthia was boarding a train bound for New York when she saw the morning paper carrying the headline “Allies Storm North Africa!”  She then looked up to see a handsome, uniformed man admiring her.  She smiled instantly, having recognized her old spy handler. Agent Hunter stood at attention and saluted her.  Then he approached and whispered in her ear:

“We have reached a turning point in the war.  The allied troops have landed in North Africa, with practically no enemy resistance.  The reason that there was no resistance is a military secret, but I think you should know that it is due to your ciphers.  They have changed the whole course of the war.”

General Dwight D. Eisenhower, Supreme Commander of Operation Torch, and 107,000 Anglo-American troops landed on the shores of North Africa in a surprise attack.  The battle that had begun on a tiny piece of sovereign Vichy soil located in Washington D.C. less than five months prior, concluded in the liberation of Casablanca, Oran and Algiers in less than three days.  The decisive victory put an end to Hitler’s dominance on the continent, deprived Germany of the French fleet and shortened the war itself.

Back in Los Angeles, Jack Warner and producer Hal Wallis rushed the opening of Casablanca to capitalize on the headlines. The movie premiered November 26, 1942 and went into full-release the following year. Bogart and Bergman are immortalized as Rick and Ilsa. Meanwhile, Agent Cynthia has been all but forgotten. But the World War II Mata Hari didn’t seduce the enemy for fame or fortune.  Hers was a much higher calling:

“I did my duty as I saw it.  It involved me in situations in which respectable women draw back.  But wars are not won by ‘respectable’ methods…I hope and believe I was a patriot.”

Jessica Chastain: Sexy Chameleon

5 Jan

Jessica

Jessica is one of those rare film creatures that can change their spots depending on the role they’ve taken on. The actress came to prominence in 2011 with such films as The Help and the The Tree of Life.  She’s now a bonafide movie star with her latest role in the controversial Zero Dark Thirty (2013) but I have no fear of her ever being typecast or over-exposed. Why? Because she’s a chameleon that’s why.

Her role in The Help is so far from the self-assured CIA Agent in ZDT that I had to remind myself that it was the same person. Even better, Jessica can play period (i.e. historical) better than any modern actress can. She was hot, sexy and visceral in last year’s Lawless, not that many people saw that flick. But she was, for me, the surprise breakout in The Help as a ditzy Marilyn Monroe double with the proverbial heart of gold. Again, a far cry from the ball-busting CIA agent in the new Kathryn Bigelow thriller.

And what’s even better than being young, famous and a go-to actress in Hollyweird? Being a nice person. Jessica is so nice, in fact, that she won’t eat anything with a face (which is about as anti-Hollywood as you can get in my book). Yep, she’s a vegan and always has been. It’s part of her philosophy not to do harm to anything or anyone while she’s incarnate on the planet. And that includes eating anything that had parents or can stare back at you.

jessica-chastain

So, to recap I think we can safely say that Jessica will be around for awhile. I’m glad for that because she’s beautiful, glamorous and one of the most talented young actresses of her generation. And she truly is a chameleon. Which only means you have to keep a keen eye out for her next role. I’m a big fan of the tall, thin red-head with a heart of gold. And I know a bunch of animals who are big fans of her as well.

Greta Garbo: Screen Goddess Found in the Men’s Room

15 Dec

Screen Goddess Greta’s Garbo’s personal belongings are on sale at Julien’s Auction in Beverly Hills this weekend. Many, many glamorous 30′s and 40′s hats, clothes, shoes and personal effects are being sold for 10 times what the auction house  set as their market value.  People not only remember Garbo, but consider her the most glamorous screen goddess from the golden age of Hollywood.  Garbo was the glamor queen of Hollywood, from a time in movie history when fans considered their stars gods.  Made famous by mogul Louis B. Mayer and MGM studios, Garbo was as big as they got.  Her appeal was her mystery, but in reality she was the most private of movie stars.

Seth Moseley was a  reporter during that same most glamorous time – the late 1930′s in New York City. A paparazzo 40 years before the term was coined, Seth worked for The Journal, the big-city newspaper to Manhattan, home to some of the world’s biggest stars. And he had his fair share of run-ins with Hollywood stars. But his favorite to tell was finding Garbo, the thirty-one year movie queen of the world, aboard the S.S. Gripsholm in the Port of New York:

“In those days, when a celebrity came in from Europe, half a dozen or sometimes a dozen newspapermen go down and meet these celebrities coming in from Europe. This means getting up early in the morning and going down to lower bay of Manhattan and meeting these ships coming up the narrows to interview celebrities. Garbo was on one of these ships. This was in 1937 and she’d become famous in the movies and had left Hollywood to go back to Sweden for vacation. She was purported to be in love with Leopold Stokowski, the conductor. We were (sent) down to the ship to find out.

Garbo came out and fifteen of us reporters and photographers held a mass interview. She was distinctly uncomfortable. Garbo was a very quiet, shy human being. She had made a fortune out of being shy and quiet and alone and she posed for pictures and they pursued her on the romance. I didn’t mention it. I don’t like mass interviews. I don’t think you stand a chance.

After everybody else had left, I stayed on the ship. I went to find her hoping I could get an interview. I went to her state room. I went to the Captain of the ship. I went everywhere for two-hours, and I couldn’t find Garbo. Finally, I had to go to the men’s room and that’s where I found her. She was in the men’s room hiding. I didn’t show any alarm, I just said that I’d love to see her for a couple minutes and could we take a walk on the deck. She said certainly.

We went out on the ship’s deck and talked. Then she told me something I thought was pretty important:

“You know,” I said. “you’ve said that you always wanted to be alone.”

“I’m glad you asked me that,” she said.“Because it’s not true. What I said was, I want to be left alone.”

I knew I had a good story. We talked, she was charming. She simply didn’t want to be overcome by a lot of people. Well, I jumped off the ship and got back to the newspaper and wrote the story about how Garbo had never said this remark about being alone, that she was not a recluse – she wanted to be left alone. Every newspaper in the United States picked it up.”

Seth had a special twinkle in his eye every time he told me the story of his and Garbo’s chance meeting, all because he wouldn’t give up on getting an exclusive. He said he even received a thank you note from the charming movie star, hoping that they would meet again someday. But they never did.

Greta Garbo, movie goddess and Seth Moseley’s favorite interview, passed away on Easter Sunday, April 15, 1990 in New York City. She was 85. Seth H. Moseley died Saturday, August 11, 2000 in Torrington, Connecticut. He was 92. Their fateful meeting in the men’s room aboard an ocean liner would forever set the record straight. Garbo never wanted to be alone, only to be left alone. Never to be forgotten.

Donna Reed: It’s A Wonderful Actress

3 Dec

donna_reed-jimmy_stewart

This is the time of year I’m reminded of how wonderful Donna Reed is. You know, the romantic lead opposite Jimmy Stewart in Frank Capra’s seminal IT’S A WONDERFUL LIFE. The black & white film is always playing on some channel virtually night and day from Thanksgiving to Christmas. It’s a classic to be sure, but that’s not the real reason it oversaturates the airwaves during the holiday season – or at least used to. That’s because the movie fell into the public domain for several decades when some studio nincompoop didn’t renew the copyright. Networks and cable stations could therefore play the film without having to pay residuals and royalties – and the movie and it’s classic characters became as commonplace if not more nourishing than fruit cake. However, the real feast for the eyes will forever be Donna…Donna Reed.

donna_reed_03

Donna Reed had that all-American sweetheart look that everyone but George Bailey seemed to see, until it was too late for him to escape Bedford Falls. But really, how could anyone NOT fall in love with Donna – especially when she had been on the hunt for good ole’ George since High School (remember the famous dance scene where the floor divides and people start falling into the gymnasium pool?! Donna was George’s destiny and she would stick with him for better or worse, through thick and thin until the very end when Zuzu’s petals would magically reappear in his vest pocket. Talk about bygone days. If Frank Capra were alive today – the movie might not have ended so happily. But what makes the film so timeless is the love story itself. Because if Donna weren’t the amazing actress she was – it would not nearly be so believable that Jimmy Stewart would feel like he lost everything worth living and dying for when she doesn’t recognize after Clarence the Angel is so good to show George what it would be like if he’d never been born. Then again, Donna Reed as an old maid is a stretch. Probably the hottest old maid ever portrayed on film IMHO.

JS1568310

Donna Reed went on to have a respectable career on film and her very own TV show, THE DONNA REED SHOW, on on of television’s very first episodic shows. But that’s not why she will forever be remembered. In my house, I’ll always sit down and take time out to watch Donna say, “He’s making violent love to me, Mother!” from her living room when George inevitably visits one night to find that he has been hopelessly in love with her every since he first laid eyes on her, naked in a bush in front of her house. Me too!

Happy Holidays!

Lina Leandersson: Let Her In

29 Oct

Lina Leandersson is an old soul walking around in a young body. She is the Swedish breakout star of 2008′s super-creepy LET THE RIGHT ONE IN. This vampire story is by far (and I mean, by far) the best vampire story of all of them. Twilight can’t hold a candle to LTROI. This is because the story is, in essence, a darkly-affecting romance in the order of cinematic magnitude of Casablanca – if Casablanca had vampires, of course. There is a love triangle: Two men love one very young/very old vampire. She appears helpless but isn’t. She is tortured. A sacrifice is made by her lover at the end. See the resemblance? The structure exists in both movies but the difference is that while Bogart and Bergman will always have Paris, Lina and her lover will always (and I mean always) have each other.

Of course, the romance is a tragedy. But aren’t all good love stories in their heart – ghost stories? Doesn’t love at first site require us to recognize in another what is missing in our deepest selves, and therefore so heartwrenching both when we possess it and lose it? This is what Let The Right One In is all about. We can’t control who we love and the act of letting them in can often destroy us, but we do it anyway. Confused? Well, watch this movie and you’ll either agree with me or think I’m insane. But people who do get it (especially the ending) REALLY get it and love this movie like one of their own children. And the biggest reason people who GET IT love this movie is Lina Leandersson. Simply because her performance is transformative.

This is Lina’s first film. She was hand-picked by the director and producer from over 8,000 auditions. What’s even more amazing is the on-screen chemistry that she creates within everyone she comes in contact with. It’s even more amazing when you consider that she was 12 years old when they shot the movie playing a 400-year old vampire and she pulls it off handily. So well in fact, that the American remake LET ME IN with Chloe Mertz comes off as a cheap remake of a classic and will be forgotten immediately. I was so inspired by the Swedish import (dubbed in english) that I went out and bought the translated book. Mind you, the book has moments of brilliance and the movie could not have been made without it – but the adaptation to the screen (the screenplay was by the same author) is a textbook case in how to adapt a classic story from book to screen and in the process make it better. Only THE SHINING comes close to the same successfully-adapted story.

Still not convinced? Here’s two examples of this movie’s brilliance: 1) You’ll notice in the movie that adults (except with one very big exception) are not paying any attention to the children in this movie. Adults are oblivious to what is going on right in front of their eyes and therefore, by definition, missing out on what is important in life. 2) The movie expresses the love theme on the basis that you fall in love with people who possess the ability to communicate that love – or mirror if you will – how you yourself wish to be loved. At least in the beginning. This is seduction. This is what a vampire does to prey on its victims. But when the vampire in question is in fact your true love – then boy are you one lucky/unlucky guy. And that gets to the heart of the ending of this transformative movie. We are all alone. We all need to be loved. The sacrifice we make to open ourselves up to that love risk letting the wrong one in. All love therefore is a risk. The risk of love and loss. And that’s why I LOVE the ending of this movie. Let me know if you agree with me.

Oh, and Let the Right One In is also a kick-ass scary movie. Happy Halloween!

Marlene Dietrich: Blonde Venus

20 Oct

Marlene was the first to admit that her onscreen image was a creation of her own and that of director Josef von Sternberg. Imported by Paramount Pictures in 1930 (the execs wanted their own Garbo to make MGM sweat a little at the box office), Marlene had made The Blue Angel in English as well as German to capitalize on the scandalous subject matter. But it was Marlene’s androgynous appeal to women as well as men that made her a huge crossover star in America. Arguably, the German-born actress was as beautiful as goddess Garbo with one distinct difference. Marlene’s sex appeal was derived from her self-effacing sense of humor. If Garbo’s love was tragic – Dietrich’s love was sardonic.

marlena

Marlene called herself the “ersatz-Garbo”. She didn’t like being compared to the Swedish Sphinx and her film roles reflected that fact. Plus, Marlene was more than just a movie goddess: she could sing and dance with the best of them. When she arrived in Hollywood the studio tried to make her sign a morality clause in her contract. America was coming off the hangover of Prohibition and Hollywood didn’t want their stars private lives to overshadow their on-screen creations. No doubt Marlene’s proclivity for bedding as many women as men (she traveled with her lover as well as her broad-thinking husband) gave the studio suits fits of worry and they thought they could control her with money.  Little did they know how smart and strong Marlene could be.

Marlene may have been a creation of her favorite director/collaborator von Sternberg, but when it came to her career she took no chances. As soon as she could, she assumed control of her movies by becoming one of the first female producers in Hollywood. Now she had a say both on camera and off about the script, costumes, locations and, most importantly, what the censors cut and what she fought to keep in her films. In 1934, the tide changed in Hollywood and the code came into full effect. Only stars of Marlene and Garbo’s stature could fight for the best roles – often times their own studio bosses would try and tame them, watering down the storylines until there was little or no value left in them. Garbo would ultimately throw in the towel and retire in 1941. But Marlene’s star would rise even higher in the wasteland of World War II.

Dietrich was as strong as she was beautiful. When Hitler commanded her to return to Germany at the outbreak of hostilities – Marlene not only told him where to get off, she did everything in her power to aide the Allies. She was a fixture of War Bond fundraisers overseas. She entertained the troops at USO shows with song and dance (her fabulous legs were insured for a million dollars) and spoke passionately about democracy and her love for America, her adopted country). Marlene truly came into her own during and after the war – and her fans loved her all the more for it. She was like a blonde Venus rising from the catastrophic aftermath of her birth countries bid to rule the world. And she was a shining example of a woman who fought for freedom as hard as any man – and won on her own terms.

Follow

Get every new post delivered to your Inbox.

Join 140 other followers